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Let’s do the time warp again! And by “time warp” I mean warping to an alternate universe about six months from now when the Nouveau Burlesque, downtown New York’s indigenous revival of the Great 20th Century American Burlesque, opens on The Great White Way. Now, this is an alternate universe, so it looks similar, but it is not identical to our own. In this alternate universe, some greats of our contemporary scene have different names and different histories: Jo Boobs is still the boss, but the alternate Boobs is still partying like it’s 1979. The famous, gritty theater where it all goes down is either The Box or the Slipper Room crossed with the Minsky’s National Winter Garden Theater, circa 1925, and the beautiful ingénue isn’t a brainy, erudite Fordham grad, she’s an NYU doctoral student writing a thesis on alternative gender performance, circa 1995.
The Rising Sun Performance Company is now performing Dan Rosen’s movie cum play The Last Supper at The Red Room. It’s a rip-roaring good time, and well worth your dime.
A conservative is a liberal who’s been mugged
The official blurb runs something like this: A group of young, liberal graduate students in Iowa have a formal, sit down dinner once a week, to which they like to invite a stranger – to spice up conversation. Their ivory tower serenity is disturbed, however, when their latest guest, Zach (played in the 1995 movie by Bill Paxton!), turns out to be a redneck, pedophilic, murderous, Holocaust denier. Zach taunts the tolerant liberals, saying that they don’t have the balls to stand up for themselves, and pulls a knife on Marc, the resident Jewish artist. Zach is distracted for a moment while breaking the arm of Peter, another sissy liberal, and Marc seizes the opportunity to stab Zach in the back with his own knife. Existential angst ensues as the “liberals” try to justify their aggression. They rationalize it so well that they decide to recreate the scenario every week with a new flavor of conservative crazy. Their preferred method of execution? Poison in the chardonnay.
Erin Markey in "Puppy Love: A Stripper's Tail"
Some girls give me money,
Some girls buy me clothes…
Erin Markey’s one woman show Puppy Love: A Stripper’s Tail is a must-see tale/tail for all you ladies and gents (but mostly ladies) who work in the gray area between theater and erotic arts in New York. It’s also worth seeing if you don’t work in that lovely, glistening niche of the alternative entertainment world. But if you are a woman who has ever wondered how glitter got into that, or categorize men as “sweet hearts” and “pervs,” or looked in the mirror and said “I’d do me,” this is a show you can’t miss.
Guys on the other side of the tip rail will appreciate this play too. Strippers, erotic performers, and sex workers have earned their own technical name in the world of knuckle dragging, ham-knecked, mouth breathers: “stripper crazy.” Stripper Crazy is the kind of girl who, after three cocktails, leans over and whispers in your ear that she thinks you’re a sweet heart, and do you want to go to the bathroom for some X-rated fun? Then, three cocktails later, when you’re at the bar buying her another drink, you hear her siren giggle as one of the pervs from the table next to yours, the table of guys who earned her scorn when they leered and cat called, hoists her over his shoulder and takes her to the bathroom for a little X-rated fun.
‘Tis the season of holiday parties, corporate and otherwise. On the longest night of the year my companion and I dropped in on the SPI Marketing holiday party at the Rootstein Mannequin Showroom on West 19th Street and 7th Ave in Chelsea.
by J.D. Oxblood
I know, I know, we’ve been bad little bloggers. Between my out-of-country exploits in August and the proprietor’s impending nuptials, we’ve been a little slammed. And my “Back to School” story is SO late my editor is threatening to dock my wages—which, being nonexistent, provides little leverage as threat. So consider this notice: We’re coming back, and we’re coming back in force. Brace yourself for the New York Burlesque Festival. And before I rave over Isabella, one WAY belated thanks—Brian Newman, for having us at Duane Park to celebrate the bachelor party. Brian, you got class you ain’t even used yet. Thanks a million for taking care of us—that was a night to remember. (Too bad none of us do.)
So last night I went down to Tribeca to see the lovely, luscious, internet-lascivious Isabella Rosellini. I’ve been in love with her for 20 years, natch, so the chance to see her in person was a draw in and of itself. And yeah, she still looks fantastic. But her latest claim to fame—as if being Ingrid Bergman’s daughter wasn’t enough, or as if anyone could ever forget that scene in “Blue Velvet”—is the runaway internet hit “Green Porno,” now a book, complete with DVD of all the episodes so far. As Is put is so candidly, the internet has no business model, no way for the artists to get paid, “no way to bring the money back.” Seeing how the Redford rubles (Sundance) only foots the production bill, releasing a book is a way for everyone to cash in. And here I am in Tribeca watching “Green Porno” with a bunch of strangers.
Christine Elmo
Last Thursday, May 21st, I clanked down the metal stairs of Jimmy’s 43 and into the subterranean bar completely and thoroughly confused. I had been invited by Christine Elmo to come to a benefit for a dance production she has choreographed and hopes to produce. Christine is a New York dance artist who has performed in the city and Europe extensively for the last two years. (Check out the video of dancing in Central Turkey and her CV here. Beautiful!) She’s a mover and a shaker in every sense of the phrase. So I guess I expected the benefit would be in a black box theater south of Houston, someplace that reeks of fresh paint and sawdust.
Ruby Valentine
By J.D. Oxblood
City Winery is a big, fat, wooden room that would make a vacationing couple from Vermont feel very at home. High ceilings smattered with rotating fans, a pervasive blonde woodtone, and a stage so deep you could stack the Rockettes 6-deep and they could still kick. We rolled in around 10 to witness the changing of the guard—upper East Side diners were paying the stiff tabs for their undersized tapas & pricey vino as downtown hoodlums played musical chairs, vying for decent seats as they became available, nestling up to the stage and onto the raised dining area in back. This was a big room … could Doc fill it?
Bird of Paradise
He did, but the sound system didn’t. The PA was lacking, but I quickly forgot about it as the shapely Bird of Paradise came on to warm up the crowd with a little gogo to surf music, in a purple sparkly bra and a short skirt cut on an angle, accentuated with bangles and nude fishnet stockings. Babe-o-licious.
Moments before Lady GaGa took the stage at Terminal 5
I was cranky at 11:45 after spending 45 minutes in stop-and-go traffic on the Williamsburg Bridge. It seemed like everyone on Long Island was trying to push their cars into Manhattan. I prayed that some supernatural force would strike upstate lawmakers blind and replace them with legislators who know that fewer cars in Manhattan + more money for the MTA = real growth for NYC. Then I prayed to make it to Lady GaGa’s show at Terminal 5 on time.
The doors opened at 11. Three opening acts made up the bill, and I figured each one would be 15 minutes, so by the time I rolled in at 12, I was prepared to be homicidally angry, worried that I had missed her altogether. But luck was on my side. She waited for the witching hour to start the show, and I had just enough time to grab a drink and wade hip deep into the sweaty, writhing flesh pond surrounding the stage before beats started pumping out of the PA.
Murray and friends at Corio Saturday April 25 2009
Don’t get any funny ideas from the title of this post. When I say I spent Saturday night on Murray Hill, don’t think I was drinking at the Rodeo Bar.
I was the special guest of legendary Murray Hill for “This is Burlesque” at Corio. “That’s impossible!” I hear you say. “You’re just an anonymous blogger whose idea of a good time on Saturday night is to get stress management counseling at the Bay Ridge Community Service Center.” Yes, that may be true. But thanks to Twitter, I made a new friend, and he made my night.
.357 Lover performs at the Coney Island benefit party at Southpaw Saturday night
The band .357 Lover promises on its website to sacrifice their souls so that we may be properly rocked, and Saturday night they delivered.
The Coney Island benefit party at Southpaw was Brooklyn to a T. Freaks, Geeks, Hipsters, Lezzies, Homos, Straights, Bents, Rockers, Mods, Burlesquers, and B-Boys all showed up to save the dilapidated symbol of Brooklyn Soul. The World Famous Bob co-Emceed the Burlesque potion of the show with Miss Astrid, and let me tell you dear reader, they are two of the funniest women in show biz. (Murray Hill, who was not there, is the funniest man.)
It was a night of New York burlesque all stars including Julie Atlas Muze, Gigi La Femme and the World Famous Pontani sisters who performed together and separately.
Peekaboo Pointe
You can’t go wrong with that lineup. Angie Pontani sealed the deal with her show stopping tub act, courtesy of Hendrick’s Gin. After that it was hard (so to speak) to walk out of the club upright.
The special surprise of the evening, what made it really special and not just really good, were the Daisy Spurs. They tore up the stage with sizzling energy and heart-pounding dance moves. It was my first time seeing the Daisy Spurs, and I was so impressed I imediately updated my mobile FB status to “Daisy Spurs, my new favorite crazy.” That impressed.
“Come on, let’s go downtown, Trixie and the Monkey are performing at the Slipper Room.”
“No, no… I’m drunk, I don’t have a notebook with me, I don’t have my camera—“
“Let’s just go see the show!”
“Ok, fine, but I’m not working!”
Famous last words. Hear me, O children, as I say verily unto you, once one has started down the path of wickedness, there is, truly, no turning back. And truly, once one has committed oneself to the recording of said wickedness, merely being wicked will never again suffice. Which is a long-winded way of saying, I went to the Slipper Room and totally blew my cover. It had been so long… I was just so HAPPY to be back in a burlesque venue, and the show was so show-stoppingly amusing, and I so show-stoppingly inebriated, that I just couldn’t HELP myself from talking to the performers and generally making a total ass of myself.
Hell(o) (t)here
I am truly in Hell. The only work I have managed to get is in the comic book convention world. Which, judging by the sold-out numbers of people at the Javits for the New York Comic Con, is still kinda recession-proof. I fell into the work, really. I don’t even read comic books* (Get the whole story here). And I definitely don’t “get” comic book geeks. I mean, they’re sweet enough, in their own, special, pasty, basement-dwelling way, but I mean, puh-lease. You weren’t all home-schooled, were you? There has to be an ounce of social skills somewhere in that cranium, right??? Whatever the case may be, these skills were not on display (yet again) at this year’s New York Comic Con. Actual snippet of overheard conversation on the crosstown bus on the way to the Javits:
Geek Girl1: So when I finally saw X-Men 3…
Geek 2: Oh you didn’t! It was HORRIBLE.
GG1: I didn’t think it was so bad, at first, you know, just taking it at face value, but then they explained to me how it was totally in opposition to the art and color scheme by so-and-so and blahdy-blahdy-geek-blah…
… and this drivel went on the ENTIRE CROSSTOWN RIDE. Nightmare. How do I get myself into these situations? Anyway, I was working a booth for my new semi-F/T gig with the longest running independent comic book convention in NYC. I have biz cards and everything! I am officially one of THEM. O.M.F.G.
... themmm
And I work for one of the top guys in the comic book collecting world. Somehow he’s one of them and not one of them at the same time. He knows them all, but he used to ski with the beautiful people at Studio 54. High and low, as it were. Anyway, scads of people come by his booth and I get to people watch them all. I could go on and on about the various freaks and geeks**, but the ones who really caught my eye were the Gothic Lolitas: you know, Asian girls in a mix of goth and maid uniforms, with a Lolita twist.
Essentially, these girls are walking manga. I was Goth, bitd, but this is a Japanese twist on an old classic. I talked with one self-professed Gothic Lolita, 18 year old Kana from Manhattan. She said she first got into the look 8 years ago after seeing J Rock artists on TV (example here). She saw the fans of that style of music and wanted to dress like them. It’s a very cute world with which to identify. As opposed to Cosplay fans at the Comic Con, Kana said this is her normal style of dress. She likes bands like Plastic Tree, and she and her friends get together for karaoke parties. She seemed really well-adjusted. It was refreshing, in this land of make-believe.
Kutie Kana
So I am officially an insider in this crazy comic book world. But I guess now I can finally finish my Sandman collection. I’m only missing #2 and #43. Christ. Kill me now.
*Except Neil Gaiman’s Sandman in the 90’s. Brilliant. Oh, and the occasional Betty and Veronica when I was little. Can you say cat fight? Me-ow!
**New rule: Guys, if you’re wearing spandex, will you PLEASE wear a cup?!?!?!? I am still scrubbing those lumpy images from my brain.
If you haven’t already, slide on up to the Studio Museum Harlem and check out the Barkley L. Hendrix show up from now until March 15th. Hendricks’s painting is a dialogue between American realism and post-modernism — kind of like if Grant Wood and (the early) Chuck Close had met on a street corner at Lenox and 135th to find Rinehart, their hook-up. They say a picture is worth … well, you know. I’ll let them speak for themselves. But there is no excuse if you live in this city for not going up to Harlem to see them for yourself.
Sunday night is free night at the Studio Museum Harlem, and on Free Sundays they feature free programs and events from 12 to 6 p.m.. Yesterday was a poetry reading by five amazing poets inspired by the work of Barkley Hendricks: Nicole Sealey, Myronn Hardy, Hallie S. Hobson, Marcus Jackson, and Bakar Wilson. Mr. Jackson, a graduate from NYU’s prestigious creative writing MFA in poetry, won the CulturalCapitol award for best metaphors in an “Ode to Kool-Aid”. He also had some great metaphors for describing the Hendricks painting “Sweet Thang” — notably when he said her lips are the color of cinnamon sticks, a funny thing to say seeing as you can’t see her lips in the painting.
Sweet Thang
The best over all line (and perfect answer to Mr. Jackson) was given by Ms. Hobson: “who needs metaphor when you look this good?” Ms. Sealey won most graceful, and Mr. Hardy took the award for most books on sale at the gift shop. Finally, Mr. Wilson won the award for most fabulous, an award he’s won more times than the Steelers have won Super Bowls.
By J.D. Oxblood
Fox News, approx. 12:15 EST: Bill Hemmer and Bret Baier covering the inaugural balls.
Video coverage of President Obama and First Lady dancing at Southern Inaugural Ball:
Obama: Let’s go change America.
(crowd cheers)
Bret: Ok by my count they have one more, is that right?
Bill: One more ball.
Bret: One more inaugural ball. They’ve got the dance steps down, it is down to under a minute, it seems like everything’s being sped up just a bit on the routine, but uh, they have one more and as you see them wave to the southern ball there at the DC armory, uh we will bring you every step of every official ball.
Bill: This time she’s doing the waving and he has his head back behind her head so that the camera’s can’t see and he’s like, “honey I cannot wait to get some sleep.” Don’t you know he was?
Bret: I mean—we were just talking during the break there that uh… I mean it’s kind of like a wedding… a giant wedding—
Bill: On acid.
Bret: Yeah but— (indistinct laughter in background) —times a thousand, you know, if—if—(flubs)
A few unnecessary comments:
1. While “acid” is not one of the famed seven words you can’t say on television, I feel fairly confident that “on acid” is not a phrase newscasters are generally encouraged to use on the air.
2. Who would ever expect a Fox News correspondent to know what “on acid” means?
3. Am I the only pundit in America who’s done enough acid to catch such a reference?
By J.D. Oxblood
“I can promise you, if LAST CALL AT THE STARLINER LOUNGE isn’t one of the most original shows that you’ve ever seen, then I will eat a pack of cigarettes.” With an offer like that, how could I refuse? Yes, that was the inimitable Snuffy Patterson, and I was half hoping the show would suck so that I could watch him suck ‘em down. No dice, but it turns out I still won: he eats a cigarette in the opening as an ad for “Turkish Cigarettes—the cure for halitosis.” The sourpuss face on this kid is priceless.
We’re back at Corio, another night of hopeless debauchery, shaking off the post-holiday season delirium tremens. It’s a Wednesday night and cold enough to freeze the rye on my breath. Seems that all the gorgeous dames in this place only work the Pontani shows; the skirt serving us hooch is looking a little long in the tooth. Maybe it’s a good thing that she’s not in a corset.
Brian Newman and his band loosen the crowd with a couple of standards, starting with “All of Me.” This kid looks about two days past getting his draft card, and so thin you could pick your teeth with him. He can warble, though, so damn well I wondered if the horn in his hand was just a prop. But he made a sucker of all of us and blew the damn thing better than Gabriel. He’s backed by keys, skins, a bull fiddle who can lay down a bass line that walks with a ten incher down the left leg, and a sharp-dressed urbanite blowing a thoughtful motif on a tenor sax.
I settle into a cold one and tried to follow the convoluted plot.
It’s true. These guys really rock. If you’re in Dubai, they’re at the Seaview Hotel in the Marine bar. (Sorry if the video resolution is crappy. It’s Youtube’s fault. I’m working on improving it.)
By J. D. Oxblood
Through a random sequence of events and acquaintances I was invited to attend a party at the Crunch Gym on Lafayette, just below Astor Place. I was a little confused—a party? At a gym? Like a work-out party where we all hang out and pump each other up? Chat with personal trainers and drink some smoothies? Rub each other down in the shower? I am IN. But, no, it was a party party, with cocktails and hors d’oeuvres (that’s French for “snacks”). At a GYM. I had to check it out.
With the economy making us all feel like it’s Halloween 24/7 out there, let’s look a little closer at NYC’s 365 Halloween and costume headquarters, Halloween Adventure, located at 104 4th Ave near Union Square. This store has managed to stick around for 16 years, growing and expanding to serve the needs of freaks, geeks, Goths, nerds, fetishists, exhibitionists and party-goers all year round. I’d like to say I just went to the store and observed the employees and customers, studiously taking notes and watching them from afar like some urban Serengeti journalist, but alas, that would be a lie. For you see, I am a casualty of these scary economic times, and as a means of self-preservation I took a job there so that I could have a reason to get up and out of the apartment in the morning, instead of obsessing over my non-existent career and meeting with yet another headhunter who is unable to get me a job earning a living wage. So I thought, “Why not see if I can find a seasonal job selling costumes for Halloween? They MUST be hiring.” And that’s exactly what I did. I put on my gothiest outfit and did my gothiest make-up and went down and got myself a job. So here are some of my findings thus far:
1) The economy is bad, but people’s escapist tendencies are in full swing. Even though the store says it’s figures are down from last year, the place does HUGE business. I happen to think that this is going to be the last BIG Halloween for a while, for 2 reasons:
A) Halloween is on a Friday this year. Parties all weekend! More parties = more costumes.
B) This is the last year regular, non-trust-fund, non-Wall Street people are going to be able to cling to the illusion that they have enough disposable income to blow hundreds of dollars on a costume and a night out for a pagan holiday (with economic depressions come piousness. Why is that??? Rhetorical: I’m familiar with the concept that God favors the good with prosperity.) Most costumes start off at around $50 and go up from there. A decent one is gonna run you closer to $100. And rentals are about $200. Even with my employee discount my costume came to $65. And that’s not counting the special modifications and additions I need to make to it or all the drinks that will be consumed.
2) No matter what the weather is like, girls wanna dress like hoochies on Halloween. It is the one day in our culture when women are expected and encouraged to wear as little as possible (We all know the “slutty” thing. You’re not just a nurse, you’re a slutty nurse. You’re not just Marie Antionette, you’re slutty Marie Antionette). This is NYC, folks, not Miami. And this year is shaping up to be a cooooolllllldddd Halloween! I’m working down in the “Adult” costumes and lemme tell ya, these girls can’t find outfits SHORT enough. Except if they’re hispanic and come in with their b/fs. Those guys practically want their g/fs in gorilla costumes. I thought these guys would love to have their girls show off their goodies! With all the white couples the guys wanted their g/fs to dare to bare as much as legally possible; with the hispanic guys, not so much. These guys don’t want their g/fs to look like hos, and they tell them so. Some more forcefully than others.
3) We don’t get a lot of requests for political or current events costumes down in the “Adult” costumes. Maybe it’s just that the political masks are readily found upstairs, or maybe people just aren’t doing the McCain/Obama/Palin thing this year. I’ve heard they’re selling fairly well, I just haven’t seen it. People tend to stick to the archetypes: Roman, Greek, Egyptian, Pirate, Queen, King, etc. My fave this year is Beer Garden Wench. V cute, and you get to try to get your b/f to do a couples costume, and for him that means lederhosen. Priceless.
4) And lastly, the biggest hooligans like the sexy cop uniforms. Go figure.
So enjoy this last big Halloween. Party likes it’s 1999. Because this may be the last good time we collectively have for a while. I’m even predicting a quiet New Year’s Eve this year. It’s scary out there!
Chapter 1:
Friday, 9/19: Premiere Party at the Bell House
By J.D. Oxblood
Photos by Jane Smith
The Love Show
[***3 kisses indicate J.D.’s faves.]
I showed up early and was hit in the face by the smell of wood varnish. The space is brand spanking new and I can’t really figure out why they opened a venue of this size in this location. It’s Gowanus, people, which sounds like something you get from raggedy chicks on Craigslist and might very well be. The walk from the elevated F/G stop at Smith and 9th was like a descent into something from Dante’s imagination. Or Cleveland. You choose. And this joint is the kind of high-ceiling, wooden beam affair where you expect to see moose heads on the wall. And the crowd in the lounge? These are the kinds of guys that make you ashamed to be an American—guys who are used to yelling at each other in somebody’s kitchen. They still reek of Bolognese sauce. They’re so psyched to have a bar in their neighborhood they might never go home. Fortunately, the big room was, in fact, very big, so it was possible to get close to the performers. The crowd was mixed and fairly young—those brave enough to make the trek to Gowanus—with an extra helping of young dudes rubbing up against their young babes with the unbridled optimism of knowing they’ll have something to do with their boners when the show is over. Ah, the fantasy of a threesome. Girls, don’t be upset that your boy isn’t thinking about you; just be glad it’s you he’s fucking. The first two gogo dancers were, um, not much of dancers and less of gogo, but they were soon replaced by a smokin’ hot black girl with Supremes sensibilities, and a big, fleshy redhead who was so generous in spreading her ass for the crowd that I considered trying to take her home and skip the whole damn festival. It would take the entire weekend to work THAT out.
Cultural Capitol wants to send a giant shout out and big up to Jen Gapay and the wonderful women (and men, and other) of the New York Burlesque Festival. We had a great time covering the events. Here is a list of the festival winners:
Biggest Media Whore: Tie: Angie Pontani / Murray Hill
Best Booty Shaker: Gigi La Femme
Best Gams: Delirium Tremens
Best Dressed: Amber Ray
Best Body: Dirty Martini
Most Charismatic: World Famous *BOB*
Hottest Freshman: Roxi Dlite
Most Likely to Win on Survivor: Nasty Canasta
Sexiest Eyes: Indigo Blue
Sweetest Smile: Anita Cookie
Classiest Dame: Michelle L’Amour
Biggest Diva: Dirty Martini
Biggest Tease: Roxi Dlite
Biggest Cougar: Jo Boobs
Most Likely to Go Gay in 2009: Tie: Broadway Brassy / Pinchbottom
Most Likely to Turn Name into an Unpronouncable Symbol: Tigger!
Congratulations to you all!
Sarah Palin is conservative eye candy.
Why did McCain pick her? Because she will be the ultimate Miss Moneypenny to his James Bond. She’s clever, hot, and most definitely subordinate to The Man. She is the ideal conservative VP: a totally bangable chick whose only job is to be a foil to highlight the masculinity of the Great Leader.
The first great thing I have to say about the New York roller derby scene is this: the Gotham Girls want everyone to come to the party. The pre-party at a bar near the venue was touted on their website — an open invitation — and while I was still patting myself on the back for my uber-super-reporting skills at getting an invite to the after party, I saw the open invitation in the program. You gotta love a bunch of tough girls who want everyone to come and get drunk with them. But here’s the bad news: there’s a reason why you need a “pre” and a “post.” There are no alcoholic beverages served in the basement of Hunter College, and between the metal detectors (read: metal flasks) and the hand searches (read: sniffing water bottles) it’s nigh on impossible to smuggle in booze. And that, my pretties, is the only bad thing I can say about Saturday night’s bout between the Bronx Gridlock and the Queens of Pain.
Date #1:
Find yourself in a densely crowded downstairs Latino dance club, trying to find a drunken female friend and her roommate, with whom you were wildly (and unwisely) making out mere moments before. Get a call from a female friend who works in a bar. Miss the call. Get a text from her saying, “Come to the bar. X is single and ready to mingle.” Go outside, find the drunk girls, get them in a cab and wash your hands of it. Retrieve message from the bartender: “Come to the bar now! X just broke up with her boyfriend and is asking about you!”
Grab a cab to the bar even though it’s less than a 10 minute walk. Arrive and kiss your friend and thank her for the tip. Sidle up next to the newly-single, smoking hot, 20 year-old vixen.
(Editor: Be forewarned, the following is a graphic and explicit depiction of sexual acts of dubious legality.)
culturalcapitol.com 