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Miranda Huba’s Dirty Little Machine should be subtitled “Jane’s Ambivalence and Dick’s Dilemma.” Jane, the protagonist, is ambivalent about our “dirty little machine,” which is Huba’s elastic metaphor for the mechanization, specialization, technologization, and anatomization of sexuality in this (post)modern era. That is, porn. And the appropriately named Dick is her two-dimensional foil, he who she calls “The Weasel” because he has collapsed the Madonna / whore dichotomy into one misogynistic, incestuous, feminine catch-all category. I don’t think I’m giving anything away by saying sex in Dirty Little Machine is what bored people do to pass the time between permanent adolescence and senescent despair.