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diane

Diane Naegel

We here at CC were intrigued by the Jazz Aged themed parties called “Wit’s End“, so we decided to talk to their hostess to find out more.

CC: Hi Diane! I guess my first question is, where are you from, if not from NYC? Why did you move here, what do you do for work, if that isn’t planning these events? What got you into this style of dress / music / literature? Who is your favorite artist in those genres / periods? What are your other interests? For example, are you into Steam Punk, Victorian Gothic, or 40s swing?; alternatively, do you like macs and cheese, Big Macs, macrobiotic vegan fare? Macrame, textiles, rough spun yarn or spandex? Are you also active in theater or music?

Diane N: I’m actually from the Midwest- Cincinnati, Ohio! I went to fashion school there, and the University of Cincinnati has a cooperative education program where you take six paid internships in your field while you’re in school- so I got to live here in NYC, Seattle, and LA while I was getting my degree…so if you look at it that way, I’ve lived here off and on since 2000- but permanently for the last 4+ years. I’m an accessory designer by day- I actually do all of the kids accessories for OshKosh B’gosh!

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macbeth_variations

Mr. and Mrs. Macbeth with their little stillborn demon child

October 1st, 2009

Macbeth is appropriate to autumn and October. Macbeth’s colors are red and black; the poetry evokes the lengthening of nights and shortening days; and it’s full of witches and ghosts. Pecfect for the month of Halloween! I went with Lesterhead to see Strike Anywhere and ANITYA’s joint production of “Macbeth Variations II” at the Irondale Center in the Lafayette Avenue Presbyterian Church on Lafayette and South Oxford St. in Fort Greene tonight. The production definitely set the mood for a spooky October.

There are a few things you might want to know before you go see the play. First, Strike Anywhere and ANITYA are based in New York and Paris respectively. It is performed in both English and French. Unfortunately the Irondale Center, unlike the Met, doesn’t provide subtitles in glowing green LED in the banquette in front of you. For those who either know French or know the text of Macbeth or both, this isn’t an issue. If you speak English but not French and don’t know the play well, it can be confusing. Second, this is an interpretation of Macbeth, not a staging of Shakespeare’s play. If you get upset when directors cut the Bard’s plays, you definitely won’t like this. Third, the philosophy of the joint company prioritizes improvisation. As they say on their website, it’s never the same play two nights in a row. If you love surprises and don’t mind the occasional sour note that’s great; if flat moments take you out of the action, you might be disappointed. On the other hand, if the classics bore you but you feel compelled to get cultured anyway, this production is both edgy and old skool.

I would give you my take with no chaser, but I happened to overhear a conversation as I was walking out of the theater that I think says it all about what this show accomplishes. Three men, all in their mid-20s, were walking ahead of me on the sidewalk as we left the theater, and this is what I heard. (I’ve given them names. If this is you, and I gave you the wrong name, email the blog’s administrator.)

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