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by Jeremy J. Kamps (Playwright)
I couldn’t focus while trying to write one afternoon in a café in Cartagena, Colombia. The people on the couch across from me were too loud and right up in my personal space. So, I decided to harness the universe rather than resist it and began to shamelessly eavesdrop. What I heard became the premise for What It Means To Disappear Here.
Ars Gratia Artis
The band plays an overture, and the lights rise on New York of the not-too-distant future. Mary, an MFA grad student studying painting is at a Catholic mass — to get inspiration, she tells her lover Françoise (for non-francophones that’s the female version of François), who is also an MFA student in sculpture. Kate, Mary’s sister and an aspiring art dealer, arrives to ask Mary for her signature on some documents related to their dead parents’ estate. Mary has been using her inheritance to fund her studies, which bothers both Kate and Mary’s conscience. But no matter, Mary hears a higher calling, and she feels she has no other choice: create art or die.
On November 23rd, 2007 Roger L. Dillon, 23, and Nicole D. Boyd, 25, liberated $8 million from the vault of AT Systems armored car company in Liberty Township, just outside of Youngstown, Ohio. Roger and Nikki hit the road with Roger’s mother and headed to the secluded mountains around Pipestem, West Virginia to hole up in a trailer and wait for the heat to blow over. Less than a week later the FBI showed up and brought the fugitives’ escapist fantasy crashing back to Earth.