You are currently browsing the tag archive for the ‘Broadway Brassy’ tag.
Sunday night is Kitty Nights at Bar on A. I showed up because I heard Calamity Chang was debuting her tribute to Brett Michaels, and I had just finished a three day DVR marathon of Rock of Love. That and our star reporter has been feverishly packing his suitcase for Vegas where he will be covering the Miss Exotic World show, so he wasn’t able to make it. He is going to be giving up-to-the-nanosecond updates from the big event on Twitter, so if you aren’t following him already, do yourself a favor and put him on your list. You won’t regret it.
By J.D. Oxblood
City Winery is a big, fat, wooden room that would make a vacationing couple from Vermont feel very at home. High ceilings smattered with rotating fans, a pervasive blonde woodtone, and a stage so deep you could stack the Rockettes 6-deep and they could still kick. We rolled in around 10 to witness the changing of the guard—upper East Side diners were paying the stiff tabs for their undersized tapas & pricey vino as downtown hoodlums played musical chairs, vying for decent seats as they became available, nestling up to the stage and onto the raised dining area in back. This was a big room … could Doc fill it?
He did, but the sound system didn’t. The PA was lacking, but I quickly forgot about it as the shapely Bird of Paradise came on to warm up the crowd with a little gogo to surf music, in a purple sparkly bra and a short skirt cut on an angle, accentuated with bangles and nude fishnet stockings. Babe-o-licious.
By J.D. Oxblood
“I can promise you, if LAST CALL AT THE STARLINER LOUNGE isn’t one of the most original shows that you’ve ever seen, then I will eat a pack of cigarettes.” With an offer like that, how could I refuse? Yes, that was the inimitable Snuffy Patterson, and I was half hoping the show would suck so that I could watch him suck ‘em down. No dice, but it turns out I still won: he eats a cigarette in the opening as an ad for “Turkish Cigarettes—the cure for halitosis.” The sourpuss face on this kid is priceless.
We’re back at Corio, another night of hopeless debauchery, shaking off the post-holiday season delirium tremens. It’s a Wednesday night and cold enough to freeze the rye on my breath. Seems that all the gorgeous dames in this place only work the Pontani shows; the skirt serving us hooch is looking a little long in the tooth. Maybe it’s a good thing that she’s not in a corset.
Brian Newman and his band loosen the crowd with a couple of standards, starting with “All of Me.” This kid looks about two days past getting his draft card, and so thin you could pick your teeth with him. He can warble, though, so damn well I wondered if the horn in his hand was just a prop. But he made a sucker of all of us and blew the damn thing better than Gabriel. He’s backed by keys, skins, a bull fiddle who can lay down a bass line that walks with a ten incher down the left leg, and a sharp-dressed urbanite blowing a thoughtful motif on a tenor sax.
I settle into a cold one and tried to follow the convoluted plot.