You are currently browsing the tag archive for the ‘Burlesque’ tag.

Glamor! Intrigue! Vicious passions and overwhelming venality! Picture the scene: a beautiful boy plays with the hearts of three proud, handsome ladies. This isn’t “The Bachelor,” or “The Real Housewives of Orange County,” though the characters in this show hail from nearby the ancestral lands of the Kardashians. This reality show took place thousands of years ago on the hills in the shadow of Mount Ida, and instead of a “first impression rose” this Ganymede has a golden apple for the fairest of them all.

“Judge Me Paris” is Austin McCormick’s take on “The Judgment of Paris” (1700 anno domini scriptum) a courtly masque in the tradition of Ben Jonson and Inigo Jones with libretto by William Congreve and music by John Eccles and John Weldon. Congreve, who penned the famous phrase “Heav’n has no Rage, like Love to Hatred turn’d, / Nor Hell a Fury, like a Woman scorn’d” in 1697, was the English master of “manners” comedy – a genre that emphasizes courtly intrigues and affairs of the heart. Eccles and Weldon’s music is high baroque, trilling and aristocratic. The neoclassical subject matter evokes an age when allegory, history, and rich symbolism were employed to celebrate and exalt sexuality.

Read the rest of this entry »

Advertisements

Richard "Dick" Pricey (a.k.a. James P. Stanley)

How many times over the last ten years have you been embroiled in a conversation about what to call the last decade? The “Ohs”? The “Aughts”? I think part of the outpouring of relief two weeks ago when we entered the identifiable “Tweens” was due to having a commonly accepted label to put on our present historical period. When have the first ten years of a decade had anything in it worth remembering? What happened in 1905? What was the big news of 1810? Retro was popular in the 90s, but these days — sheesh! — you can’t swing a dead cat in a circle without hitting somebody who’s living like it’s 1899.

Is this a sign of national decadence and decline? The impulse to get back to a more wholesome time is surely behind the National Theater of the United States of America’s production of “Chautauqua!” at the Public theater.

Read the rest of this entry »

photo by Jenny Bai

photo by Jenny Bai

Last Monday I sat down with rising star Broadway Brassy at The Magician bar on Rivington and Essex to talk about her career, where she’s been, where she is, and where she’s going. She’s is out of town for the next couple of weeks, but be sure to catch her at Duane Park in late July and August! (Details below.)

CC: Hello Broadway Brassy! Thanks for coming to talk to us at Cultural Capitol. I guess my first question is, how did you get to New York?

BB: I took a chance, I don’t know. God I hate interviews. I just always wanted to come here to New York City since I was a little girl — always. There was never any wavering, there was never any other place I wanted to be. It was here. So I came. That was that. I finished college, and I just moved. To Staten Island. And it was horrible there.

CC: Why did you go to Staten Island?

BB: Because I had friends there. So I thought, if I go to New York City I should be near my friends. I didn’t know anything. So I moved there, and realized right away that was not where I wanted to be, so I moved to Brooklyn.

Read the rest of this entry »

This video is a sample of what J. D. got at the Vegas show. Enjoy!