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photo by Jenny Bai
Last Monday I sat down with rising star Broadway Brassy at The Magician bar on Rivington and Essex to talk about her career, where she’s been, where she is, and where she’s going. She’s is out of town for the next couple of weeks, but be sure to catch her at Duane Park in late July and August! (Details below.)
CC: Hello Broadway Brassy! Thanks for coming to talk to us at Cultural Capitol. I guess my first question is, how did you get to New York?
BB: I took a chance, I don’t know. God I hate interviews. I just always wanted to come here to New York City since I was a little girl — always. There was never any wavering, there was never any other place I wanted to be. It was here. So I came. That was that. I finished college, and I just moved. To Staten Island. And it was horrible there.
CC: Why did you go to Staten Island?
BB: Because I had friends there. So I thought, if I go to New York City I should be near my friends. I didn’t know anything. So I moved there, and realized right away that was not where I wanted to be, so I moved to Brooklyn.
By J.D. Oxblood
“I can promise you, if LAST CALL AT THE STARLINER LOUNGE isn’t one of the most original shows that you’ve ever seen, then I will eat a pack of cigarettes.” With an offer like that, how could I refuse? Yes, that was the inimitable Snuffy Patterson, and I was half hoping the show would suck so that I could watch him suck ‘em down. No dice, but it turns out I still won: he eats a cigarette in the opening as an ad for “Turkish Cigarettes—the cure for halitosis.” The sourpuss face on this kid is priceless.
We’re back at Corio, another night of hopeless debauchery, shaking off the post-holiday season delirium tremens. It’s a Wednesday night and cold enough to freeze the rye on my breath. Seems that all the gorgeous dames in this place only work the Pontani shows; the skirt serving us hooch is looking a little long in the tooth. Maybe it’s a good thing that she’s not in a corset.
Brian Newman and his band loosen the crowd with a couple of standards, starting with “All of Me.” This kid looks about two days past getting his draft card, and so thin you could pick your teeth with him. He can warble, though, so damn well I wondered if the horn in his hand was just a prop. But he made a sucker of all of us and blew the damn thing better than Gabriel. He’s backed by keys, skins, a bull fiddle who can lay down a bass line that walks with a ten incher down the left leg, and a sharp-dressed urbanite blowing a thoughtful motif on a tenor sax.
I settle into a cold one and tried to follow the convoluted plot.
culturalcapitol.com 