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A woman dressed in a black silk robe that shows off her black-stockinged, gartered legs and bare thighs strides around a small stage outfitted like a fancy lady’s boudior. “His was first,” she says. “In my ass.”

Our interlocutor for the evening is The Woman (played with penetrating erotic intensity by Laura Campbell), a former ballet dancer whose “pelvic floor” has been wound up “like a corkscrew” after a lifetime of practice at the ballet barre. “Now it’s being unworked. His cock, my ass, unwinding. Divine.”

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