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On Taylor Mac’s “The Lily’s Revenge”
November 6, 2009 in Daily Poop | Tags: Aaron Rhyne, Amelia Zirin-Brown, Barb Lanciers, Bianca Leigh, Daphne Gaines, darlinda just darlinda, David Drake, Ellen Madow, Emily DeCola, Faye Driscoll, Frank Paiva, Glenn Marla, Heather Christian, HERE, Ikuko Ikari James Tigger Ferguso, James Tigger! Fergeson, JD Oxblood, Jonathan Bastinan, Julie Atlas Muz, Karl Giant, Kim Rosen, Kristin Marting, Kristine Lee, Lady Rizo, Machine, machine dazzle, Matt Ray, Matthew Crosland, Mieke Duffly, Muriel Mugel, Nicholas Vaughan, Nikki Zialcita, Obie, Oona Osato, Paul Zimet, Phillip Taratula, Puppet Kitchen, Rachel Chavkin, Rachelle Garniez, Rae C. Wright, Saeed Siamac, Salty Brine, Seth Reiser, taylor mac, the lily's revenge, The World Famous Bob, Tina Shepard, Vanessa Anspaugh | by jdoxblood | 3 comments

James Tigger! Fergeson as The Great Longing and Taylor Mac as The Lily. Photo by Ves Pitts.
“Our language can be seen as an ancient city: a maze of little streets and squares, of old and new houses with additions from various periods; and this surrounded by a multitude of new boroughs with straight regular streets and uniform houses.” —Wittgenstein
For “The Lily’s Revenge,” Taylor Mac’s latest opus at HERE, he borrowed the 5-act structure of classical Noh theatre to construct this whopping five-hour piece—magical, intellectual, hysterical, and linguistically acrobatic. The audience is led—by the divine, effervescent, and perpetually bubbly World Famous *BOB*—from lobby to theatre and back for each “recess,” during which the audience is entertained by short, punchy acts meant to reference Japanese Kyogen. Now, forget about Noh because I won’t mention it again for another three hours.