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Lindsay Austen and James Oblak in "Outfoxed"

Lindsay Austen and James Oblak in “Outfoxed”

“You have to be an artist and a madman, a creature of infinite melancholy, with a bubble of hot poison in your loins and a super-voluptuous flame permanently aglow in your subtle spine (oh, how you have to cringe and hide!), in order to discern at once, by ineffable signs — the slightly feline outline of a cheekbone, the slenderness of a downy limb, and other indices which despair and shame and tears of tenderness forbid me to tabulate — of the little deadly demon among the wholesome children; she stands unrecognized by them and unconscious herself of her fantastic power.” — Lolita

Amanda Knox, who was convicted of murdering her English roommate while they were students in Perugia in 2009, and who was acquitted on appeal and returned to her Native Seattle in 2011, is scheduled to publish her memoir of the event on April 30, 2013. News reports say she will be paid four million dollars for the story, much of which will go to pay off debts she acquired in her legal defense. Her former boyfriend, Raffaele Sollecito, has just published a memoir that purports to tell his side of the story. Not surprisingly, Sollecito claims he and Knox were just kids who were badgered by the corrupt Italian police and judiciary into giving false witness against themselves.

Knox’s erstwhile roommate Meredith Kercher is still dead. By turning Knox’s true tabloid story into dramatized fiction, Lucy Gillespie’s play Outfoxed seeks to give voice to three marginal characters: Knox’s mother, the Italian state (personified as female), and Meredith Kercher.

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The lights come up, and a group of girls parades into a classroom. Three march in military cadences around their acknowledged queen standing on a desk: Chelsea, whose name evokes the precincts of money and class in both New York and London. They carp in posh English accents, the kind that set my teeth on edge when they aren’t done well. (American actors usually slip into something that sounds like a poor man’s Monty Python.) But the actors keep it together admirably as Chelsea self-consciously plays the Queen of Hearts from Alice in Wonderland to her sycophantic entourage. Then a fifth actor comes on stage, taller than the rest, with a lean and hungry look, but also painfully shy. Alice in Wonderland meets Mean Girls. Queen Chelsea and her court give the new girl the standard test for rank in their disciplined hierarchy: Name?! Hazel. (Rather boring and dowdy – points off.) Family vacation spot?! France. (Also boring, but better than Brighton.) It looks bad for Hazel when she tells the court – without being prompted! – that her family went to France on a cheese tour. Definitely not cool. The hierarchy is settled and the ladies take their desks in order of rank. Hazel, being the lowest, has to take the creepy, ancient, wooden desk in the corner.

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