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“To write poetry after Auschwitz is barbaric.” — Theodor Adorno
The Fallen by Yasmine Beverly Rana playing at the T. Schreiber Studio, directed by Terry Schreiber, starts as a bedroom-cum-courtroom drama. The lights come up on Sabine (Amanda Bena-Weber) and Andrej (Joshua Mark Sienkiewicz) in a hotel room in Trieste. The two are glowing post-coitally and ruminating on the wonderful strangeness of their random sexual encounter. Andrej admits there is something about Sabine that compelled him to talk to her when he saw her sitting at a table in his local cafe. “I remind you of home?” she says. Yes, that’s it — home. And where is home? The former Yugoslavia. Incipit the courtroom. Sabine (her name evokes the famous rape of early Roman lore) is also from there, though they were clearly on opposite sides of the conflict. Andrej is a Serb and Sabine saw what the Serb men did in Sarajevo. (Though it is implied that Sabine is a Bosnian Muslim, she doesn’t reveal her ethnic identity.) He protests his innocence; she denies his protests. He asks what she really wants; she says, “an apology.”