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by J.D. Oxblood

It’s so rare that I make it to a Broadway show—what with most of the Great White Way awash in Disney-fied claptrap, reincarnations of old musicals and old movies reincarnated as new musicals—that we decided to make a night of it.  So much so that I actually went out and purchased an umbrella to keep my suit from getting soaked in the dismal, rainy April night.  I was excited, yet anxious, because the last time I tried to get my fill of some good, old-fashioned absurdist drama, I was cringingly disappointed:  to anyone else who shelled out the big bucks to sit through last years revival of (Harold Pinter’s exquisite test) “The Homecoming,” my condolences.  Reeked so bad it took a month to get the smell out of my tux.

The Roundabout Theatre Company’s revival of Samuel Beckett’s anti-classic, at Studio 54, features Bill Irwin and Nathan Lane as Didi and Gogo, with none other than John Goodman as Pozzo and the spellbinding John Glover as Lucky, under the direction of Anthony Page.  (FYI: everyone in the previous sentence has won a Tony, with the exception of Goodman, who’s won a Golden Globe.)

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