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Zig and Alex salute Rose in "The Tender Mercies"

Live theater aims for two things: truth and intensity. Oftentimes they are in a zero-sum relationship to one another. That is, the more you have of one, the less you can have of the other. On one hand, truth commonly understood is elusive, messy, and boring. Reading a thousand cotton-mouthed books might get you close to understanding why your pension is still in peril. Intensity, on the other hand, is crack cocaine or sugar coated choco-bombs: full of immediate high, it can’t be weighed down by buzz killing substances like facts. Take, for example, any speech by Sarah Palin. Occasionally, however, a play can convey a great truth and be intense at the same time. That is most definitely the case with The Tender Mercies playing this week at the Teatro Círculo on East 4th Street.
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IT OR HER, a new play by Alena Smith being performed now at the FRIGID festival is a cross between Poe’s “The Tell-Tale Heart” and Baron-Cohen’s “Brüno”. When that pitch line occurred to me in the darkened theater, I thought I was being pretty clever (if catty), but when I read the official blurb in the press packet I saw that the allusion was intentional. The playwright intentionally copped Poe’s “The Tell-Tale Heart”, albeit in a cute, neo-absurdist way.

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