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The cast of The Three Sisters by Anton Chekhov barely fits in the Red Room on West 4th St. There are fourteen actors (14), who represent over a third of the living creatures in the tiny space on top of KGB bar. The play is also crammed full of personalities: the sisters of the title, their brother, his wife, the alcoholic doctor, the Baron, his ill-mannered friend, the school teacher, two soldiers, the elderly female servant, the elderly male servant, and the artilery commander. It’s a lot of emotion to pack into a space the size of a one bedroom apartment.
Like a silvery, slippery sardine is kind of how you feel when you sit down, elbow to elbow with other viewers, and with your knees poking into the actors. (The seats are set in the round, so to speak, on the perimeter of the play space that stretches the length of the floor.) This is not in-your-face, interactive theater like De La Guarda, where the performers dance with the audience during the performance, but I get the feeling that the large company, the director Jess Chayes, and the set designer Nicolas Benacerraf were making a virtue of necessity when they wrapped the audience around the players in an almost uncomfortable embrace.