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Cut by Crystal Skillman is a theatrical piece about TV, a play about the seriousness of the entertainment industry, a post-modern meditation on Post-modernism. If that sounds like a lot to chew on, it is. Cut is a theatrical essay on the socially constructed nature of “reality,” the brass ring to which all serious artists aspire. And Ms. Skillman has fostered a reputation as a downtown playwright who isn’t afraid to take on The Big Questions. Take, for instance, her play The Vigil or the Guided Cradle, a play about the universality and timelessness of torture in the human experience. The “cut” of the play’s title is its guiding metaphor. A “cut” is what an editor does to film to create a story; what your boss does to your job to save his own skin; and – the cruelest cut of all – what the critic does to put you in your place.