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AL Pearsall, Becky Byers, Alisha Spielmann, Nancy Sirianni and Felicia Hudson give birth to a revolution in "Blast Radius"
Blast Radius, the second installment in Mac Rogers’s Honeycomb Trilogy, opens seventeen years after Bill Cooke, All-American Spaceman, returned from a fateful journey. A secret government cabal sent Cooke to scope Mars for terraformation, for they knew our planet was on the brink of environmental collapse and our species on the brink of extinction. But instead of gathering data for a human exodus, Cooke and company discovered an alien race who offered to save the Earth – for a price.
“Salesman, impresario, merchandiser of illusions, rainmaker, image-publisher, gun for hire, programmer of protocol, spontaneous demonstration organizer, the advance man is one part Willy Loman, one part Sol Hurok, one part Al Capone, and one part Emily Post.” – V. Navasky
“Cain slew Abel, and Romulus slew Remus; violence was the beginning and, by the same token, no beginning could be made without using violence, without violating.” –Hannah Arendt
2012 is already living up to its reputation. End of the world, here we come!
In the spirit of New Beginnings, Revelations, and End-Of-The-World Excitement, Mac Rogers is premiering the first play of his sci-fi “Honeycomb Trilogy,” Advance Man, at The Secret Theater in Long Island City. I’m telling you, it doesn’t get more occult, conspiratorial, thrilling, bizarre, or (frankly) gnostic than this.
