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Cultural Capitol welcomes our guest columnist Keith Meatto! Check out is other work at Frontier Psychiatrist.
Beethoven and Quasimodo team up to write a musical interpretation of a cryptic stage direction in Anton Chekhov’s play The Cherry Orchard, but both men are deaf and near death, Beethoven is senile, and the project ends in failure. Such is the setup of The Hunchback Variations, based on Mickle Maher’s play with music by Mark Messing, a “chamber opera” that had a successful run in Chicago and opened June 1 at 59E59 Theaters in New York.
David Harrower’s play A Slow Air aims to evoke the feeling of an old song, one that a bar full of drunks will sing in the wee hours. To do that he puts us in the moment when the song becomes meaningful: that smoky local (you know the one) late night, after the bad feelings have come up and been spit out like bile, after the accusations and recriminations, the years of disappointment and confusion, after watching your dreams modified into hopes, and even those hopes contracted to a desire to be left alone.